Hotels in Downtown Austin: Girls’ Night at the Omni Downtown

Hotels in Downtown Austin: Girls’ Night at the Omni Downtown

omni logo

I already live, work, and play in downtown Austin, which means that I know a lot about this area.  However, one element that I’m not really that familiar with is the hotels in downtown Austin.

Recently, I was lucky enough to receive a complimentary stay at the Omni downtown.  I decided to take advantage of the free stay and do a mini stay-cation with a couple of fun girlfriends.  I figured this would be a different way to get to know the city, and have [Read more...]

Sunday, 9/11 on Historic E.6th:  Cleaning Up in the AM & Movie Watching in the PM.  Join us!

Sunday, 9/11 on Historic E.6th: Cleaning Up in the AM & Movie Watching in the PM. Join us!

Ferris Poster

Come on down to Historic East 6th Street, Sunday evening the 11th, and hang with area residents, visitors and business owners as the Alamo Rolling Roadshow pulls into the 500 block of San Jacinto for a fun screening under the stars of the classic, Ferris Bueller’s Day Off. Last year, over 800 people showed up!

To prepare for this event as well as the upcoming Old Pecan Street Festival, ACL Fest, and the usual buzz of Fall events in Downtown Austin, 6th Street property and business owners will be out on Sunday morning sprucing up their buildings and the neighborhood.

More info on both events on the 6th Street Austin Blogspot.

See you there!

“Welcome” to the Police State of 6ixth

“Welcome” to the Police State of 6ixth

Police Line Do Not Cross

It’s a warm and breezy Saturday night in Austin on Texas Relays Weekend. We did up a special store window at Wild About Music in Bob Marley + hip hop theme to welcome our 40,000-ish athletes, families and guests to town like every year. Daytime business was great, both Friday and today. But by 6pm things died off to nothingness and never revived by the time we normally close at 9pm. Totally deadsville. Absolutely not the norm for a weekend evening in Spring.  So we hit the street to see wazzup. [Read more...]

Tipping Points & Lawsuits

After months of complaints, Enzo night club is being sued by the Monarch apartments.  This is not surprising, but the suit could be unfounded if Enzo has been operating in compliance with existing laws.  According the article, city police and fire officials believe they have been.  Behind the scenes, various advocacy groups are discussing the bigger question: are existing compatibility laws failing a mixed-use downtown?

Outside of the established entertainment districts of E 6th Street and the Warehouse District, there’s unrest brewing between downtown residents and night clubs.  These two groups evolved in the same playground over the past decade.  Now, both seem uncertain about the rules and who’s playing by them.

Can’t we all just get along?

One of my favorite books is Freakonomics – a book that challenges our core economic motivations.  I’m a perfect example of irrationality.  I am a downtown property owner.  I believe that scarcity creates value.  Using purely economic instinct, I should support the anti-height and anti-density sentiment we’re used to seeing from ANC, since the expected result would be less real estate for my properties to compete with.  However, I have qualitative interests that go beyond simple economics.  So, I do support height and density initiatives designed to create more housing in downtown.

In similar fashion, a club owner might want to limit the creation of new bars in downtown Austin in order to preserve their existing fiefdoms.  Why desire more competition, right?  I know many bar owners, but I’ve never once heard them say “there’s too many bars”.  It makes sense, as they don’t want to be blocked from opening future concepts/locations.

There’s also the argument for economies of agglomeration, which helps to explain why destination entertainment districts thrive.

Responding to exogenous forces

Remember when the City of Austin banned smoking inside bars?  If you do, you might recall the uproar from bar owners suggesting that would kill their business.  In the long run, bars adapted.  The response was to take business outdoors to rooftop decks and open air lounges.  This phenomenon paralleled the residential boom in downtown, and created new Outdoor Music Venue challenges for lawmakers (to be discussed in another article).  Look around.  Now, there are more bars than ever in downtown Austin.

Another reason for the surge of bar development: parking.  CBD bars don’t need onsite or adjacent parking.  By requirement of the law and/or lender, onsite parking isn’t as important to a bar’s success than it is for retail and restaurant uses.  So, it’s no surprise we’re see more bars.  They’re simply easier to build, finish out, and operate.  CBD zoning enables this.

Still tippin’

According to the Texas Bar Nightclub Alliance (TBNA) there are more alcohol retailers in downtown Austin’s 78701 zipcode than any other zip code in the United States!

I went to the TABC and pulled all of the permits in 78701, and found approximately 290 permits.

Big whoop, Jude.  What’s your point?

At what point are there so many night clubs that they collectively begin to erode the quality-of-life for residents and visitors of downtown?  I think the answer has to do with compatibility, more than raw numbers.

Have you seen the vision for Congress Ave?  It’s mixed-use. These pics from the holiday stroll should help you visualize it.  Downtown Austin is more than just bar-centric nightlife.  Night clubs outside of the established entertainment districts (E 6th & Warehouse) need to play nice with their neighbors.  And residents need to support the ones that do!

I support the Downtown Austin Plan’s recommendation for conditional use permits for new downtown Austin night clubs outside the entertainment districts.  It’s a softball pitch for stakeholders to foul out the bad players.

Jude, stop being lame.

Meh, get off my proverbial lawn.  Few new night clubs add to our city’s brand and goodwill.  IMO, we’re at the tipping point of problematic “bar creep” outside of the entertainment districts and into areas envisioned for more mixed-use.

Maybe I’m growing up, and through the course of business I see more families in downtown Austin than ever before.  I see, in aggregate, the billions of dollars homeowners have invested in their downtown residences.

Unlike E. 6th Street (aka. “dirty 6th”), W. 6th Street was not a major destination until there were 1,500+ high rise doors and $500,000,000 in residential multi-family/condo property tax base surrounded it.  Rainey Street wasn’t a destination until 1,000+ high rise doors and $250,000,000 in residential multi-family/condo property tax base surrounded it.

Entertainment “districts” are a piece of the Downtown Austin CBD pie.  Not the whole pie.

-Jude

Major New Live Music Venue Coming to 6ixth Street

Major New Live Music Venue Coming to 6ixth Street

The Stage-Nashville logo

In case you missed the news this past week, there is a significant new music venue slated to open New Year’s Eve on East 6th Street.  Here’s a link to the Austin360 story by Michael Corcoran. 

It’s called “The Stage” and is operated by a family out of Nashville with solid experience in producing quality live music venues there where they have four: The Stage on Broadway, Legends Corner, The Second Fiddle and Nashville Crossroads.

The Sanderson’s have been in Austin quite a bit over the past year checking out the scene and trying to find a fresh angle to success in our highly competitive market.  They finally settled on 508 E. 6th, the largest single-space building for something like this on the street and former home to Bourbon Rocks and Fat Tuesday.  (Maggie Mae’s is larger in overall square footage but it is chopped up into essentially four separate spaces on two levels.)

Longtime building owner Terry Boothe, who owns several properties on East 6th, had loads of offers from the typical fare of 25-cent-jello-shot bar operators.  But he held tight for over two years without a tenant in order to bring a quality live music operator back to 6ixth and thus help the District’s quest to upgrade the quality of visitor experiences to be found there.  The Downtown Austin Alliance (DAA) and 6ixth Street Austin property/business owners association assisted in landing this deal.

Live music is supposed to be presented on pretty much the same schedule as the Nashville clubs: starting as early as 2:00 in the afternoon on Mondays-Thursdays and at 11:00am on Friday-Sunday.  That should provide a welcome flow of new work for Austin’s large and talented musician community. The Stage will reportedly also serve food too.

My only caveat is that I hope The Stage will program live music with distinctly Austin and Texas-centric flavor, not a heavy Nashville bent. If you take a look at the websites for the Nashville clubs, the offerings seem a tad “formulaic” — pretty much the same stuff done under four different names, not unlike the tight-jeans-and-cowboy-hat processed “country” music that Nashville itself often cranks out.  I hope the Sanderson’s and manager, Brandon Reineke, challenge themselves further in what they do in Austin.

While country is certainly one of our basic music food groups down here, the great country-flavored sounds coming out of Texas span so much greater breadth…quickly flowing into country rock, roots rock, folk, bluegrass, swing and so much more.  Even Willie regularly crosses into jazz and blues in his sets regardless of what type of club or festival he is playing.

Would you label Robert Earl Keen, Joe Ely, Jimmy Lafave, Ray Benson, Carolyn Wonderland, Marcia Ball as “country”?  Hardly.  Yet these are the sorts of all-star Austin acts that I hope will be regularly presented as headliners on the stage at The Stage — for a decent ticket price and full-priced drinks — to provide visitors to The Live Music Capital with a truly memorable show to savor when they head home.

However it shakes out, The Stage is clearly a welcome addition to the music offerings Downtown and on East 6th.  As a business owner just a few blocks west of the new venue I can attest that the area is streaming with people all day long these days, 7 days a week, looking for things to do and seeking that globally heralded Austin vibe and live music reputation.  Between the Convention Center, all the great Downtown hotels, and  our many new urban residents, business has never been better.

Now…if only we can lure Antone’s back to East 6th where that legendary venue began, then we’d really have some live music anchor tenants to brag about again!  Gotta work on that some more.  :-)

Downtown Gets Magical This Weekend

Downtown Gets Magical This Weekend

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For something very fresh and different this weekend to drown our mundane laborous lives, check out these cool events on tap ’round the hood:

The 1St Annual Austin Street Magic Festival TONIGHT, 6th & Red River next to Esther’s Follies (home of our own fantabulous, Ray Anderson), 6pm-2am and FREE!

And that’s just the warm up.

For you uber fans of fun and illusion, there’s an entire gathering of renown magicians from across the lands assembling all weekend at the Austin Convention Center. Details here:

Austin 2010 TAOM — that’s the Texas Association of Magicians.  Here is the TAOM Facebook page too.

Here’s a news story from News 8.

And also more info to be found on the pages of Austin corporate lawyer (but always a magician at heart — and skill), Hull Youngblood.  You can check him out — and be his friend — via the TAOM Facebook link above!

Much fun for all so make like a bunny and vanish your abode already!

Food Fight on Sixth: Bratwurst VS. Oysters

Food Fight on Sixth: Bratwurst VS. Oysters

Best Wurst Cart

Over the past few weeks, an interesting “struggle” has been growing between Austinites on the issue of whether the Best Wurst sausage cart should have its sidewalk permit renewed to vend in front of Parkside Restauarant.  The scene is the southeast corner of East 6th Street at San Jacinto, the heart of the East 6th Historic & Entertainment District.

Best Wurst has been selling yummy treats from its cart there for 17 years and has grown quite a popular customer following.  The owner, Jon Notarthomas, is a hard-working Austin musician and entrepreneur.  He pays $450 per year for the vending permit and transacts tens of thousands of dollars in business from his cart.

Parkside is a lovely fine-cuisine restaurant that opened in the circa-1920 building where Dan McKlusky’s steakhouse previously existed.  Shawn Cirkiel, the chef, and his Austin family purchased their building, valued by TCAD at $1.6 million, and completely renovated the property when opening the restaurant a couple of years ago.

Sidewalk vending permits must be renewed every 3 years and it is now that time for Best Wurst.  Parkside is opposing the renewal.  There are many reasons involved but the basic one is simply “incompatibility”.  This restuarant is not happy with having another food vendor directly outside of its front door.  City officials are caught in the middle.

There are many opposing perspectives arising through discussions of this matter:

“Old/Iconic Austin” versus “New/Emerging Austin”.

Upscale dining versus inexpensive street food.

Property owner rights versus temporary permitted uses.

Large investments and big taxes on property+liquor+sales versus modest investments, small fees and sales tax only.

The sensibilities of Austin’s sidewalk vending permit process versus national best-practices for kiosk-style vending in public common areas.

The growing desire for East 6th to revitalize itself to make better 24/7 use of its century-old historic district presence versus maintaining its more recent four-decade reputation as “Dirty 6th” where young folks go to get shitfaced.

Phew.  That’s a lot to take in right there.

What do you think about all of this?

Loads of media coverage and other resources available if you’d like to absorb further before weighing in:  News story on the Austin American-Statesman’s Austin 360.  TV coverage on News 8, Fox News and KXAN.  Best Wurst’s website and its new Save The Wurst Facebook site with some 3,000 fans.  Parkside’s website.

Wild About Music – The Real Estate Tale of an Iconic Downtown Business

Wild About Music – The Real Estate Tale of an Iconic Downtown Business

The Wild About Music booth inside Bluebonnet Market

When Jude recently asked me start writing some stories for DAB, he thought it might be beneficial for folks to get a sense of my “downtown history” from the perspective of a local retail business owners’ leasing odyssey over 16 years.  OK, here goes!  I’ll stick with the angle of space and location because you can find out more about the business itself, Wild About Music Art & Gift Gallery (WAM), by stopping in at 115 E. 6th, across from the Driskill Hotel, or checking out our fine website here.

My partner, Shelley Meyer, and I started out in 1995 by buying the name and assets of a tiny sole-proprietor hobby business located inside the old Bluebonnet Market on the NW corner of Neches and East 3rd.   A late-90s expansion of the Convention Center resulted in demolition of the Market which stood right where Exhibit Hall 4 is today.  We took that little 200-sf booth and set out to expand it into our vision of a 5,000-sf all-music-themed art and gift gallery, plus office and warehouse space.

The Wild About Music booth inside Bluebonnet Market

The original Wild About Music: a 10x20 booth inside Bluebonnet Market, 1991-95

We knew we wanted the business to have a heavy Austin and Texas flavor — to celebrate the confluence of art and music in this region and its influence on local culture.  As a dedicated “urban retailer” we wouldn’t have anything to do with malls or strip centers.  We required authentic vintage buildings/spaces with a more natural local vibe.  Downtown has always been the only choice for us, no matter what the challenges have proved to be.

Ironically, even though WAM’s heart and soul is grounded in music, we wanted nothing to do with East 6th Street at the time.  We had watched it decline in the late 80s and 90s to a cheesy array of shot bars raided by late night college kids and mostly vagrants wandering the blocks by day.

710 W. 6th in 1996

710 W. 6th in 1996

So our first stop was 710 W. 6th, the building where J.Black’s and The Ranch reside today. We figured we’d still catch some of the global  “Sixth Street brand” cachet but stay away from its problems by being west of Congress.  With a 5-year lease in hand on the long vacant former furniture store, we rolled out a fun piano keyboard entry foyer handmade with one-inch tiles, dressed out the big display windows mighty fine, filled out five giant rooms full of the coolest art and sculptures you’d ever seen, hung some outdoor speakers to lure in passersby, and waited for the customers to show up!  We waited alright.

710 W. 6th Today

710 W. 6th today

For a year we watched the cars stack up out front with the backup at the Lamar traffic light.  We soon realized we were about a decade ahead of “the scene” forming in that neighborhood.  There was only Katz’s, Opal Divine’s Freehouse and us at the time.  Oh yes, and Leslie making visits to the MHMR clinic across the street where Molotov now burns red hot.  There was supposed to be a big retail center going in where Whole Foods stands today that would help bring more shoppers to the area.  Never happened.

We knew we were doomed unless we got the heck out of there fast.  Fortunately my longtime commercial real estate agent, Don Cox, quickly found us a great sublessee, a dot.com company to use our space as offices during a growth spurt for the remaining 3.5 years of our term.  In fact, Don was so fast, we had not yet even found a new home for ourselves!  So we packed up our goods and fixtures real snug and moved completely offline into some teeny vacant space around the corner behind Katz’s.

721 Congress windows alive with light and color 24/7 during WAM tenure, 1997-2004

Finally, after three months, our search yielded an amazing new spot: 721 Congress Avenue, the Main Street of Texas, right next door to the historic Paramount and State Theaters!  It was a fabulous open building with huge display windows that wrapped around it’s great corner location at 8th.  It even came with a 60+ year retail history as the home of locally-owned Reynolds-Penland men’s store, a predecessor to today’s Keeper’s (6th & Congress).  The Stephen F. Austin Intercontinental Hotel was not there yet, but we knew that our friend, Tom Stacy, would not rest until he got that derelict building at the other end of the block completely remodeled and open again.

Wild About Music had an excellent 8-year run on Congress, growing together with the resurgence of downtown as a whole during Kirk Watson’s energetic mayoral reign.  We found profitability and success there despite nearly being driven out of business by our landlord — who was the neighboring State Theater (pre-merger with the Paramount) — when they intentionally busted through the common wall into our leased space with a crazy expansion idea for box seats during their renovation.  But I digress; that’s a whole other story.

The 8th St. display windows of 721 Congress when WAM was there

We loved being in that 700 block of Congress — the only fully intact (both sides of the street) historic block left on Congress between the Capitol and the river, I may add.  We had excellent synergy with concerts, plays and events at the Paramount, and enjoyed good camaraderie with fellow retailers a few blocks in both directions.  We would probably still be there today had fate not struck again and our lease expire about the same time.

The theaters (merged by then, along with the ownership of our building) had fallen on some hard times financially and our building was put up for sale.  With hopes of maybe owning our own real estate and getting out of leased-space vulnerability, we planned to buy the building ourselves.  But the location ended up getting cleverly bundled together at auction with undeveloped overhead “aerial rights”.  That put the bid pricing at more than double fair market value for just the land and existing building, thus also way out of our price range.

721 Congress today

721 Congress today: empty for five long years

It forced the sale into the hands of a developer who had visions of million dollar condos stacked eight floors high and a big fancy steakhouse right where we sat.  He couldn’t wait for us to have to vacate, coming in the very next day and gutting the space.  And that’s how it remains to this day: sadly empty, not even a fresh coat of paint on the outside in 14 years, dirty windows, and absent a few nice temporary displays to help brighten the corner and the rest of that wonderful block.  It’s a fitting monument to when development gets ahead of reality…runs over yet another iconic local business…and then the new building owner doesn’t even have the pride and decency to maintain his building in a manner worthy of being on The Main Street of Texas.

But hey, that saga ended happily after all –  at least for us.  With contents once more loaded onto moving trucks and, once again, no new downtown home yet secured, we landed in our current funky, multi-level space in the Littlefield “Mall”/Garage/Apartments on a prayer and a lease done on a scrap of paper in about 20 minutes.  No joke.

I had inquired about this same long-vacant space several times over many months prior to our need to move.  Each time I was told with some air of cockiness by a certain nameless agent: “you don’t fit what we’re looking for.”  But with nothing to lose, I tried one last time.  The leasing agent who I had spoken with previously was out of town, so I ended up chatting with his partner.  After explaining our plight, he agreed to meet us over at the space.  As prior AT&T retail space, it was perfect!  Then he said:  “Why, sure, we’d love to have y’all in this spot.  But the building is for sale so we can only give you a month-to-month lease.”

SRV In Front of OK Records at 115 E. 6thAlthough quite nervous about the term (or lack thereof), the next day we were in there painting and arranging.  A few weeks later Wild About Music re-opened downtown for the fourth time.  An interesting sidenote:  This also happens to be the very same spot (but in a previous building that stood there) of the original location of Austin’s famed Antone’s Home of The Blues, and the adjoining OK Records.  Here a young Stevie Ray Vaughan posed with his guitar out front for a classic Austin Chronicle photo that also later became the album cover of Blues At Sunrise.

Somehow we have managed to last for almost 6 years now on those month-to-month terms.  (Please, someone, knock on wood.)  This despite four changes of building ownership over the first four years.  During two of those painful interim holdings we were told we were soon going to be history again.  Once to be replaced by a high-end spa and salon to service an upscale South Beach Miami boutique hotel; clearly “WAM did not fit that formula,” we were told.  Then, later, another threat by a Walgreen’s coming to invade historic Sixth Street via our space — yes, I know, pathetic, aye? — because “a national-credit tenant could pay far more than a little local business,” said yet another very important leasing agent.

Fortunately we now find ourselves in the care and attentive property ownership of T. Stacy & Associates and their great staff.  We know full well that handwriting is on the wall and another move still looms large in our future.  Our block has been designated for some very intensive redevelopment one day.  Some of it would have already begun had the recession not intervened.  But at least with Tom Stacy on the other end, we also know that we will have loads of advance warning and likely plenty of helping hands to make sure we do alright in any transition.  Perhaps we might even end up right back in the same spot post-redevelopment (if we could survive an interim solution half intact).

Wild About Music today at 115 E. 6th

Wild About Music today at 115 E. 6th

Alternatively, our hope is to find Wild About Music a permanent home within one of the amazing old buildings of East 6th’s majestic Historic & Entertainment District — to experience a return to the days when buildings like those on East 6th were, in fact, owner-operated buildings and businesses.  As a visitor to the street you should be able to evidence an O&O shop by the pride exhibited in the fastidious exterior presentations, the warmth and genuineness of the interior business offerings, and the down home friendliness of the proprietors and staff.

That’s why I serve on the 6ixth Street Austin board.  That’s why I and my fellow board members are so passionate about the renewed vision for this street.  That’s why we and a handful of fellow dedicated E.6th property and business owners are working tirelessly to bring about much needed change to the street after two decades of dirt, neglect and despair.

Sure, it’s still fairly dowdy in spots right now.  And we know we need additional quality daytime offerings like more shops and galleries, a few more unique eateries, and more live music venues back on the street.  But we do have a vision: to become the premier destination for the best of Authentic Austin owned and developed businesses to be found anywhere.  And, importantly, a plan (to be discussed separately) to get there.

Thanks for reading.  To be continued…

Copa on Congress – Downtown Austin Restaurant and Dance Club

Copa on Congress – Downtown Austin Restaurant and Dance Club

Copa - 217 Congress Street, 78701

Copa - 217 Congress Street, 78701

Part-time Salsa dance club, part-time tex-mex dining establishment, Copa (@ 217 Congress Avenue) moves to the beat of many a drummer.  Since my dancing skills are reminiscent of Elaine Benes at a company party (“like a fully body dry heave set to music”), I chose to visit Copa at lunch, lest I be tempted by Salsa rhythms, thereby making the other patrons lose their collective appetite.

And it was pretty decent, if I do say so myself.   I walked in to a warm, cozy environment where brick walls and arches dominate the scene. There’s three areas downstairs: the front area which seems dedicated to dining, the middle bar area, and a third, large and mirrored room with a small stage that’s dedicated to dancing. There’s also an upstairs and a small patio (of which I did not get any pictures – sorry)  Here are some photos:

The architecture is well-done in my opinion, but I’m a sucker for free chips and salsa, and Copa “brings the pain” so to speak, in that department.  My waitress was prompt with hot tortilla chips and mild salsa, and the refills didn’t stop throughout the meal. Yum!  And, my meal was easy to choose because the menu is only a one-pager of reasonably priced food.  I ended up ordering the fish tacos, which my server, Joanna, explained was her favorite item on the menu. At $8.95, they were a pretty good deal – deliciously seasoned and generously portioned:


As I mentioned, Copa also hosts Salsa lessons.  Not having taken lessons there, I can’t speak to the quality of them, but the reviews of the lessons from other folks are generally pretty good, though there seems to be a widespread disdain regarding the fact that they do charge a cover for these lessons.

If any of our readers have been, I’d be interested to hear your thoughts!

Overall, I’d recommend giving Copa a try (at least for lunch or dinner)!

217 Congress Ave
Austin, TX 78701
(512) 479-5002
http://www.rania.us/copabarandgrill/index.html
www.copabarandgrill.com

Sundance and SXSW Considering "Echotone": A "Cultural Portrait" of Austin Music and Downtown Development

Don’t look now, but Austin may be on the verge of becoming the center of America’s next cultural moment. If Nathan Christ’s documentary “Echotone,” a low-budget film about the combustion of Austin’s booming inner-city development and its rocking music scene breaks through the final selection at the Sundance Film Festival, prepare for the nation’s eyes to fix again on the “Music Capital of the World.” As Christ’s film suggests, Austin may be the place where America’s economic recovery and its cultural renaissance intersect.

Or where they collide.

The rapid development of Austin’s central neighborhoods means larger audiences, bigger venues and more national attention.  It’s also brought higher housing costs and the proliferation of new sound ordinances.  The film asks us to weigh the effect of such changes on the city’s cultural bedrock and offers us a chance to take a larger view.

The films striking trailer touches off with the words, “Austin, TX: Present Day” as it soars over the cities burgeoning developments in a construction crane. In an interview with the Daily Texan, Christ eluded to the contemporary focus of the film: “There’re a lot of music films that are about looking back at a bygone era,” Christ said. “This is what history is. You should’ve been there. But, I realized in the past few years that a documentary can be in the present. You can make a powerful story about your age and about your peers.”

Right now SXSW is considering Echotone for a premier in March. If the film is selected, people in downtown Austin will be presented with a uniquely self-referential experience. On the films blog, Christ writes about  “the greater emotional vision of what a SXSW premiere could provide for the viewer,” At the climax, “the credits roll, and the audience walks out into the precisely the world they’ve just experienced for 90 minutes.”

Juxtaposing scenes of Austin’s quirky musical underground with the sights and sound of industrial construction, the film presents a town on the verge of awakening from a long slumber only to discover that it has become a city with an international reputation.

Featuring bands Belaire, “poised for commercial success, but conflicted over the thought of her music turning into a commodity” the “experimental troubadour” Bill Baird, and Black Joe Lewis’ man who fills music halls by night and delivers fish for a living by day, the film tells the story of the cities young artists while promising to deliver “a cultural portrait of the modern American city examined through the lyrics and lens of its creative class.”

Longtime residents of Austin will be surprised to find through Christ’s lens, that their city has suddenly acquired the magic appeal of San Francisco in the 1960s. For the outsider, the film may well crystallize everything they’ve been told about the little gem in the south.

What do you think about sound ordinances? Where should we draw the line between the needs of the Austin music scene and Downtown Austin’s growing residential community? Are these communities at odds or are they mutually beneficial?

Why can’t we be friends?

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